CURA.

DAVID DOUARD. O’DA’OLDBORIN’GOLD

In the labyrinthine walk across the space, plaster masks and faces appear, intertwined ceramic tongues talk to one another, fragments of texts poured into plaster balls are suspended at eye level. The exhibition unfolds then almost as a declaration of love to existence and to the body beyond the tangible. Galerie Chantal Crousel, Paris
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CLAUDIA COMTE. THE MORPHING SCALLOPS

In the beginning was the wall. Before geo-politics, Pink Floyd or wall-drawing was the structure itself: a divider between us and the rest of the world, it builds on the promise of all civilization, of protection and enclosure, of distinguishing that which we have claimed as ours from that which is not. Gladstone Gallery, New York
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Château Shatto, Los Angeles
Thomas Dane Gallery
Rosa Santos, Valencia
Kunsthalle Lissabon
Arsenic, Performing Arts Center, Lausanne
Modern Art, London
€ 30
€ 32
€ 10
€ 17
€ 480

ALEX DA CORTE

When I was in your studio the other day, I was struck by a table-top of assembled props for your new work Rubber Pencil Devil (2018)—a bottle of Heinz ketchup; a pair of ruby red slippers; a cheerleader’s glittery baton; a McDonald’s Happy Meal container; a replica of the model trolley from Mister Rogers’ Neighborhood. In conversation with Margot Norton
Centro per l'arte contemporanea Luigi Pecci, Prato
High Art, Paris
CASTIGLIONI, Milano
SpazioA, Pistoia
Maxxi, Rome
by Massimiliano Gioni