The Sound of Screens Imploding
curated by Andrea Lissoni and Andrea Bellini
The Turin's show titled, as in Geneva, The Sound of Screens Imploding, is conceived as a series of individual environments. The concept for the show revolves around a fundamental principle: that moving images now dwell outside the screen, lingering on in a fascinating kaleidoscope where vision can be shaped by sound as much as by the image itself, or even more so.
Inevitably, the show explores the status of the moving image and its exhibition format, building on the idea that the long era of projection on screens is coming to an end and will give way to environments that reverberate with the radiant echo of their implosion. The curators, Andrea Lissoni and Andrea Bellini, have decided to dream up an immersive exhibition, presenting a series of contiguous, differing worlds that alternate within a densely packed space that is a unified whole, yet teeming with eclectic forms. As visitors are sucked into these universes, they may begin to lose their grip on reality and their sense of time. The future could start to blur into some vague, digital present, while primeval sounds bear echoes of a past that struggles on, refusing to fade away.
Emphasizing the innovative potential of new languages connected to the moving image, the exhibition forges an intense dialogue with a generation of artists from a wide range of countries and backgrounds. The artists featured in the exhibition are Lawrence Abu Hamdan, Korakrit Arunanondchai & Alex Gvojic, Meriem Bennani, Ian Cheng, Elysia Crampton, Tamara Henderson, Kahlil Joseph; meanwhile, Andreas Angelidakis has been entrusted with tying all of these installations together into a single, cohesive project that dialogues with the post-industrial architecture of the century-old Officine of Turin.