CURA.

CAMILLE HENROT AT PALAIS DE TOKYO, PARIS

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Titled Days are Dogs, Henrot’s exhibition questions the relationships of authority and fiction that determine our existence, and is organized around one of the most foundational structures in our lives – the week.
Years are measured by the journey of the Earth around the Sun; months derive from the position of the Moon; days correspond to a rotation of the Earth. The week, by contrast, is a fiction, a human invention. Yet that does not diminish its emotional and psychological effects. We experience it as a narrative cycle, structured by the particular qualities of its component days.

Each room of the exhibition evokes a day of the week – an open world where conventions, emotions, and individual freedom are playfully confronted with one another.
Our days take their names from the cosmos and mythology – the Moon for Monday, the god Thor for Thursday, the god Saturn for Saturday – and the viewer is invited into a new human mythology, both contemporary and timeless: a mythology from the Internet age, where emotions are marked by each day’s hashtag.
The exhibition as a whole operates through the composition and recomposition of archipelagoes of artworks – works by Camille Henrot herself, some of them presented for the first time, as well as those by international artists, broadening the scope of each day.

 

Days ar dogs by Camille Henrot
Palais de Tokyo, Paris
Through January 7

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