CURA.

CÉCILE B. EVANS
AMOS’ WORLD: Episode One

curated by Marianne Dobner

mumok, Vienna

March 23 – July 1, 2018

Share on:
Facebook
Twitter

In her work, Cécile B. Evans examines the significance and role of emotion in contemporary societies as well as the increasing influence of new technologies on our feelings and actions. For her forthcoming show at mumok, Evans creates an architectural video installation. AMOS’ WORLD is conceived as a television show set in a socially progressive housing estate.
The show, divided into episodes, follows an architect called Amos–a cross between Saint-Exupéry’s Little Prince and a brutalistic architect–and the inhabitants of the housing estate. Viewers are first introduced to Amos and some of the tenants, each individual interwoven into the larger infrastructure of Amos’ building. His comfortable perch takes a turn when his perfect individual-communal fantasy for the Capitalist age begins to crumble as the tenants fail to conform to the behaviours he had envisaged. Fissures in this carefully constructed network reveal a breakdown of person-to-person and person-to-infrastructure power dynamics. Seemingly free from the pressures of an outside environment but with a visibly constricted view – how has the networked age impacted the irreconcilable gap between individual rights and the controlling nature of the systems that create them?

1/4
 
2/4
 
3/4
 
4/4
 

CREDITS
Photos by Klaus Pichler
Courtesy of the artist and Emanuel Layr, Vienna/Rome

OTHER TIPS
Der Tank of the Art Institute, Basel
For her first exhibition in France, Wu Tsang has transformed Lafayette Anticipations into a hybrid space that summons the worlds of the night and the sacred. Through this metamorphosis, the visitor is immersed in a mysterious atmosphere where recent and earlier works by the American artist are brought together.
Kunsthalle Lissabon, Lisbon
JTT, New York
Édouard Montassut, Paris
Avant-Garde Institute, Warsaw
Cabinet, London
carlier | gebauer, Berlin