CURA.

CHARLES RAY
three rooms and the repair annex

Matthew Marks Gallery, New York

May 3 – June 16, 2018

Share on:
Facebook
Twitter

Ray has divided the larger gallery, 522 West 22nd Street, into three rooms and installed a single sculpture in each one. Reclining Woman (2018), in the center of the main room, is machined from solid stainless steel. Presented in a relaxed pose on a rectangular steel base almost at eye level, the figure is slightly larger than life-size. The subject’s body has not been idealized, and every detail, from the toes on her feet to the mole on her cheek, is carved with a directness matched by her frank facial expression.

The scale shifts in the room at the back, where Mountain Lion Attacking a Dog (2017) is on view. This hypothetical scene from the hills around the artist’s home in Los Angeles is cast in sterling silver and is three and a half feet long and less than two feet high. The smaller scale encourages viewers to lean in and examine the detailed surfaces of the animals’ muscular bodies.

The third sculpture, A copy of ten marble fragments of the Great Eleusinian Relief (2017), is machined from a solid block of aluminum. It is based on a work in the Metropolitan Museum of Art, an amalgam of Roman marble fragments embedded in a plaster cast of the ancient Greek original.

Next door at 526 West 22nd Street are a pair of small-scale sculptures, Mechanic 1 and Mechanic 2 (2018). The sculptures depict the same figure in two different poses: one removes the wheel rim from an automobile tire while the other crouches and watches attentively. Both are made from machined solid stainless steel that has been painted in a matte white finish, which highlights the details on the sculptures and gives them an almost porcelain-like delicacy.

1/4
 
2/4
 
3/4
 
4/4
 

CREDITS
Courtesy of the artist and Matthew Marks Gallery

OTHER TIPS
Vistamarestudio, Milan
Galerie Eva Presenhuber, Zurich
Hayward Gallery, London
Lulu, Mexico
MAXXI, Roma
ICA Miami
SALTS, Birsfelden
OGR, Turin