Riccardo Benassi, David Bernstein, Marco Bongiorni, Ethan Breckenridge, Cristian Chironi, Taylan Cihan, Jonas Delaborde, Tomaso De Luca, Gabriele De Santis, Gregory Edwards, Anna Franceschini, Liam Gillick, Tyron Grillo, MacGregor Harp, Silvia Hell, Irina Kholodnaya, Jean-Baptiste Lenglet, Domenico Antonio Mancini, Shimon Minamikawa, Matthieu Palud, Andrés Ramirez, Billy Rennekamp, Lisa Sanditz, Sigrid Sandström, Angelo Sarleti, Trevor Shimizu, Rita Sobral Campos, Christopher Stark, Lisa Tan, Elena Tavecchia, The Ister, Alice Tomaselli, Ricardo Valentim, Elise Vandewalle, Roger van Voorhees, Chiara Vecchiarelli, Olav Westphalen, Jocko Weyland.
Chinese Whispers is a project on role reversal, loss of control and chaos. At the end of a process, which lasted about a month and started with an invitation by the five curators to an interlocutor, the show includes, in the current last stage, more than forty artists, curators, musicians, poets and collectives from over ten different countries. The exhibition will take place at cura.basement space on May 20th. It is the result of a layering of suggestions that step by step had inspired a variety of works, traces and interventions, summarizing a reflection on the mechanisms of inclusion and exclusion, and on the dynamics of building a visual, aesthetic, conceptual imaginary extended to an entire community.
Nico Vascellari takes over the Roman underground spaces from February, 21 to March, 21 for a series of five evening events. The first four dates are limited to 33 participants by invitotion or booking only, while the last night will be a special event, yet to be revealed.
Mythologies are dead, they have always been. But even as corpses, they’ve been used as political strategies to manipulate fiction and facts. Fictional narratives have defined culture, its historicity, its legacy. Drama. Goosebumps visible in our skin.
Papadopoulos creates environments that could be home to a dream-like, hedonistic cast of characters who are celebrating being alive every second but who cannot help but relish in the larger, darker and more complex meanings of life.
In Truth Table the gallery is converted into the provider of an experience: a new VR product that allows the viewer to occupy a changing host of bodies as they engage in a chain of sexual interactions.
MM is the image of the acronym for Mundus Muliebris, which in Latin can be translated as ‘ornaments.’ When googling the word ornament the first definition that comes up reads: “A thing used or serving to make something look more attractive but usually having no practical purpose.”