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Let’s question who we are, where we come from, where we go, and what links or distances us from each other: the eldest from the youngest, the neighbor from the stranger. Disconnection, incomprehension and discrepancy, through an exploration of language and its misappropriation. Finally, tinged with utopia and surrealism, let’s disclose an escapist journey, both tangible and imaginary, towards an ideal elsewhere. It is an invitation to melt into a liquid and tentacular universe amongst the different unveiled and shared realities intermingling here.

Imagine the representation of a fluid and globalized world, made of exchanges, connectivity and discrepancies. Intertwining representations of desire, oneirism, and a fantasized description of nature, let’s focus on language, word-play and translation. The attention given by Laure Prouvost to her environment and to the natural and human elements that surround her calls to mind the immersive quality of her films, installations, objects, drawings and tapestries.

Take a fictional film as the cornerstone, in the form of an initiatory journey, a joyous saga filmed over the course of a road trip on horseback through France—from the Parisian suburbs to the northern region, from the Palais Idéal du Facteur Cheval to the Mediterranean Sea—and, finally, to Venice. This film, full of dialogue and idioms, is based on a script in French and English with some Italian, Arabic or Dutch passages. Its scenes are performed by a dozen  characters of different ages and backgrounds, with specific performance skills: magic, dance, music, etc. A sculptural in situ installation, taking as a metaphorical point of departure the octopus—a mollusk, which specificity is to carry its brains and sensorial members together in its tentacles—, enriches and develops the themes of the film, using typical processes of the artist’s practice such as leftover objects from film, resin, clay, glass, plants or water vapor. The context of Venice—a floating city built on water and by water, a city of facade and backstage— and this of the Biennale through the notion of representation both appear as a source of inspiration. Lâchons les chevaux!


I will draw you to the deep
Where you never dreamed to sleep
My heart in the blue
My arms wet with glue

I am me
You are you
You are me
Pass the shampoo

From the depths of my heart
To the depths of the sea
From high in the clouds
To my brain set free

From the tips of your toes
To the tips of your nose

I’ll hold you tight
Swim through the blue
Paint my feelings
With arms that are glue

deeper than you
deeper than sea
arms like a thief / sieve
brain like a pea

feeling you, feeling me
drinking love, drinking tea

through and through
through and through
more shampoo

breathing you, breathing me
breathing air, breathing sea

swallowing you, swallowing me
swallowing air, swallowing sea

holding you tight
never letting you go
tears in my eyes
and paint ready to throw

I think with my arms
I feel with my eyes
you touch my heart
I touch your thighs


LAURE PROUVOST (b. 1978, Croix, France) is an artist based between London, Antwerp and a caravan in the Croatian desert. She has been selected to represent France at the 58th Venice Biennale.
MARTHA KIRSZENABUM (b. 1983, Vitry-sur-Seine, France) is a curator and writer based between Paris and Los Angeles. She is the curator of the French Pavilion of the 58th Venice Biennale.

Photographs by Martha Kirszenbaum and Chloé Bonnie More, 2018 Courtesy: the artists

Jamila Johnson-Small emanates a magnetic force that captures and surprises as soon as one is in her presence. The written dramaturgy is suddenly raised by the emotion that the artist conveys in that moment, and her performances turn into a space of communion with her mesmerized audience. Text by Vittoria Matarrese
In his multi-layered practice spanning photography, film, installation, sculpture and drawing, Mohamed Bourouissa (born in Blida, Algeria in 1978, lives and works in Gennevilliers, France) addresses systems of power and domination, and questions the circulation of images, ideas and money. Text by Martha Kirszenbaum
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In conversation with Vincent Honoré
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