CURA.

DON’T TOUCH ME: ACTS OF FAITH


curated by Precious Okoyomon
& Quinn Harrelson

Robert Grunenberg, Berlin

Sept 13 – Oct 20, 2019

Share on:
Facebook
Twitter

The argument:

The animal that is most vulnerable is usually the most cruel 
It is impossible to separate it from what it remembers

It’s answer:

Desperation is only interesting if it remains unfulfilled sometimes the aim is just tenderness
I will not train myself to love this shit
I refuse to love this shit

The first contention:

Listing to Lil wayne‘s “love me”
I am an agent of
I daydream about merging my body with absence
Desire restrains me
Embalmed vision of apocalypse
Under the grey horizon of the day there r your eyes
Which are shimmering conglomerates of volcanic dust
Oh friendly light
Rooted in the ardent flesh of the dirt

It’s end:

The sky is strangled in lasso soft stars
God is the slow recovery of lost light

The prime directive of fantasy is aftermath

The only thing left is to be touched, entangled, contaminated, to bound up in your shit

By Precious Okoyomon

1/5
Aviva Silverman, Courtesy the artist, VEDA and Robert Grunenberg  
2/5
Janine Antoni, Diamond Stingily, Eileen Myles, Precious Okoyomon & Puppies Puppies 
3/5
Janine Antoni, Korakrit Arunanondchai, Aviva Silverman 
4/5
Janine Antoni, Pierre Huyghe, Santiago Alvarez 
5/5
Precious Okoyomon & Puppies Puppies 

ARTIST
Santiago Alvarez, Janine Antoni, Korakrit Arunanondchai, Koo Jeong A, Anne Boyer, CAConrad, Chuquimamani-Condori, Hayden Dunham, Bracha L. Ettinger, Hamishi Farah, Che Gossett, Barbara Hammer, Hardy Hill, Pierre Huyghe, Fred Moten, Eileen Myles, Precious Okoyomon and Puppies Puppies, Richie Scandalito, Aviva Silverman, Diamond Stingily, Dana Ward, Purvis Young

Featured Image
Korakrit Arunanondchai, Courtesy the artist, Carlos / Ishikawa and Robert Grunenberg Photo by Nick Ash

CREDITS
Courtesy the artists and Robert Grunenberg.
Installation shots by Nick Ash.

 

OTHER TIPS
Here, in the building where Georges Bizet wrote his masterpiece Carmen in 1875, Matt Copson premieres a bildungsroman opera in three laser-projected parts: Age of Coming, Coming of Age and Of Coming Age. His opera tells the story of a baby at odds with a vengeful god, who tries to convince him that life is miserable and cruel, and nothing more. On view High Art, Paris
Sørlandets Kunstmuseum, Kristiansand
Der Tank of the Art Institute, Basel
Lafayette Anticipations, Paris
Kunsthalle Lissabon, Lisbon
JTT, New York
Édouard Montassut, Paris
Avant-Garde Institute, Warsaw