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Magazzino is proud to present its third solo gallery show for Elisabetta, entitled Letargo [Hibernation/lethargy], six years after the artist’s last one-woman show at the gallery. Consisting entirely of new works conceived for the event.
A condition of physiological suspension, “hibernation/lethargy” spans a number of different meaning spaces: in animal hibernation, biological activity is reduced to a minimum in response to unfavourable climatic conditions; machines go into a kind of hibernation when they are left alone; hibernation is an accumulation of time and possibility unlocked by its extension; political hibernation or lethargy implies the suspension of judgement and the consequent peril of a changed system reawakening, shorn of its memory of the past; and, finally, aesthetic hibernation is when our perceptive faculties are slowed down to the point that reality and image, sensorial experience and imagination become confused with one another. The result is a kind of phantasmatic reconstruction entrusted to the works on display, tending to loosen the rules through which reality is filtered and codified: rather than offering up an alternative, the artist invites us to witness a proliferation of possible “reals” defined through antithetical solutions.


Letargo is an exhibition penetrated by dualisms – sleep/wakefulness; light/dusk; nature/artifice, body/machine – for which no synthesis is advanced. Benassi’s dualisms tend on the contrary to bring oppositions together within a single space, creating a sort of crasis of theoretically irreconcilable universes.

On one hand, nature is reconstructed in artificial terms; on the other, the use of machines hints at a fascination with things that are obsolete or consumed by use. Here, machines become “containers” for elements that are wholly extraneous: taken together, these associations are conceived by the artist in a state of voluntary suspension, leaving open the possibility of a reawakening which at the same time defines itself as a self-defence mechanism against time. Implicit in Letargo is an invitation for the viewer to imagine a kind of detour in a simulated spatial and temporal desert, in which we may shift gears and where – in practice – there is no such thing as a “right” direction.

Letargo by Elisabetta Benassi
Magazzino Arte Moderna, Rome
Through February 28

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The exhibition War Games at Kunstmuseum Basel | Gegenwart features early and recent works by Martha Rosler and Hito Steyerl. Earlier as well as recent works appear in a dialogical arrangement conceived in collaboration with both artists. At Kunstmuseum, Basel
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