The artistic research of Emiliano Maggi crosses the question and expands to reveal a personal linguistic strategy in which the body acts as a device to explore the socio-cultural potentiality of gender fluidity.
Eluding the hegemonic boundaries imposed by the binary vision, the body is transformed into a domain able to experiment not one, but infinite technologies of the self that manifest themselves in the mutability of clothing and masking.
The artist's imagination creates experiences of embodiment made of fabrics that enfold, undress, transform, free, clothes that become skin. Costumes, masking, music, dance, sculpture to access forms of knowledge that go beyond body barriers and lead to the discovery of the symbolic dimension of the world and of the unconscious mechanisms influencing our construction of society to the point of legitimizing inequalities and power relations.
During this process of unveiling, a metamorphosis devoid of authority takes place subverting the space of habitus, and creating the eros of a social game free from any rule and determined not to mark any territory: the effects of the simulacrum society nullified, imagination and body return human to the real, appeal to the participation of the personal and collective unconscious, expand the art into the social space.
The artist has recognized the aesthetic vocabulary of The Club in the creativity of Alessandro Michele for Gucci. The Club's material vocabulary is Gucci's fabrics and clothing, a living matter already in the moment it is imagined by fashion designers. This vitality grows exponentially through every step that will bring the original creation closer to the metamorphosis resulting it to be a Gucci dress: in the alchemical/archaic moment of weaving, in the geometric/algebraic phase of cutting, in the body/philosophical time of sewing, in the magical instant when it becomes a second skin capable of manifesting the inner horizon of the wearer.
Courtesy of the artist and Operativa Arte Contemporanea, Rome
Photo by Sebastiano Luciano