“He spoke, and immediately, as he commanded, the cattle, driven from the mountain, headed for the shore, where the great king’s daughter, E uropa , used to play together with the Tyrian virgins. Royalty and love do not sit well together, nor stay long in the same house. So the father and ruler of the gods, who is armed with the threeforked- lightning in his right hand, whose nod shakes the world, setting aside his royal scep- tre, took on the shape of a bull, lowed among the other cattle, and, beautiful to look at, wandered in the tender grass.”
Ovidio, Metamorphoses, Book II, Jupiter’s abduction of Europa
Europa and the Bull takes the Greek myth as a starting point to reflect on geography and its representation, romanticism, materials as symbols, the fetish we have towards objects and images as well as human fascination with zoology. Thinking of Kosovo, the youngest country in a hazy Europe, as a specific context of intervention, the show revisits the controverted story of the Phoenician princess Eu- ropa, abducted and loved by Zeus disguised in the form of a white bull. Can the pres- ent be made legible through the work of art? How, where, and for whom does territory rematerialize as condition? And what form does it take in the era that follows for- mal—politicojuridical—decolonization; a period that has witnessed a proliferation of nationstates swiftly followed by the deterritorialization (denationalization) of their currencies and markets?
In times of political uncertainty characterised by high mobility and displacement, ge- ography and its linguistic origins become tools to understand further current politi- cal and social settings. The artists in this exhibition share an interest in symbolism, language, alchemy and transformation, juxtaposing personal and popular imagery to define identities in unstable contexts.
Lupo Borgonovo (IT), Chelsea Culprit (UK), Francisco Cordero- Oceguera (MEX), Caspar Heinemann (UK), Hannah Lees (UK), Jimmy Merris (UK), Daniele Milvio (IT), Temra Pavlovic (NL), Ahmet Ogut (TK), Jala Wahid (UK)
The exhibition features over thirty sculptures, paintings, videos, and large-scale installations from throughout Ward’s career, highlighting his status as one of the most important and influential sculptors working today. New Museum, New York
In her mesmerising installation Faint with Light and video parable The Needle and the Larynx, normative bodies and genders undergo radical transformations. The artist’s own body, mutated and remodeled, becomes the site in which her hypnotic fantasies are played out. At Copenhagen Contemporary
Like the dead metaphors that litter ordinary language (the body of an essay, the face of the clock), painting has metabolised many corpses over time. Plants, bread, nudes and apples in these paintings connote a generalised sense of art history and the language of painting as much as they refer to the objects themselves. At Giò Marconi, Milan