text by Thomas Bernhard

Artemis Fontana, Paris

Nov 15 – Dec 2, 2018

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The artificial human being produced the artificial world. Nothing is natural any longer, I said. We start from the premise that everything is natural but that's a fallacy. Everything is artificial, everything is artifice. Nature no longer exists. We always start from the contemplation of nature, when for ages we should have been starting from the contemplation of artifice.
That's why everything's so chaotic. So false. So desperately confused. Where there's no nature there can be no contemplation of nature.


With works by
Edgars Gluhovs, Corinna Gosmaro, Tobias Kaspar, Lucile Littot, Cyril Magnier, Katarzyna Przezwanska, Sarah Ancelle Schönfeld, Erwan Sene, Gaia Vincensini.

Photo by Margot Montigny



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Weiss Falk, Basel
König Galerie, Berlin
Wyn Evans’s research focuses on language and perception, and is characterized by the use of ephemeral elements such as light and sound, the use of montage as a compositional technique, and the imaginative potential of the word, as well as the centrality of the temporal and durational dimension in the experience of a work. At Pirelli HangarBicocca, Milan
For Standby Mice Station, with the full alliterative force of his deliberately nonsensical title, the artist has imagined just such an ensemble of new sculptures and images, the latter fashioned in that anachronistic technique of wood marquetry (mostly bygone in art, now more known in the realm of furniture making). at Kunsthalle Basel
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Fondazione Morra Greco, Naples
Centro Arti Visive Pescheria, Pesaro