Benson’s early sculptures were smaller, composed of different elements that created narratives with a ‘surrealistic’ flair. Then came Human Statue (2005), a sculpture of a man pretending to be a statue. This hyperrealist work introduced a series of human-scale figurative sculptures on which he has been working for the last ten to fifteen years. Human Statue has an unnerving presence, due to the attitude and abstruse expression of the model. This is characteristic of the recent sculptures, where the models play an active role. In Human Statue (Jessie) (2011), the artist emphasises the gestural and physical qualities of the choreographer and dancer Jessie Gold. Human Statue (Juliana) (2015) is based on artist Juliana Huxtable’s self-portraits, which go beyond realism. All these sculptures of human figures have a very strong and active relationship with the space surrounding them.