Curated by Massimiliano Gioni

Review by Leonardo Caldana


Palazzo della Civiltà Italiana, Rome
Through July 13

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The exhibition Matrice takes its name from Giuseppe Penone’s most spectacular work, a 30-meter-long sculpture in which the trunk of a fir-tree has been carved out following one of its growth rings, thus bringing to the surface the past of the tree and its transformations in time. A bronze mold has been cast in the wood, apparently freezing nature’s flow of life. Like many of Penone’s artworks, Matrice (2015) reveals the artist’s interest in the relationship between time and nature and, metaphorically, between nature, humankind and transience.


Palazzo Della Civiltà Italiana, Fendi’s headquarters in Rome, is hosting in his monumental spaces a precious exhibition by Giuseppe Penone curated by Massimiliano Gioni. Matrice makes it possible “to admire a selection of historical works and new productions realized specifically for this exhibition.”. Starting from Soffio di foglie (1979), an impression of the artist’s body on a stack of myrtle leaves, and ending with Matrice, the exhibition features fifteen artworks that date from the 1970s to the present.

In the last room, for example, that loop closes, showing the last monumental work Matrice compared with one of the earliest Giuseppe Penone’s self-portrait. Rovesciare i propri occhi (1970) transforms the artist into an enigmatic figure and a visionary prophet who sees nothing and everything. These two works are deeply connected, and in the words of the curator: “Archeology and ruins, history and culture are featured as a kind of ‘second nature’”, and this synthesis evokes “romantic memories and a nostalgia for long-lost ancient civilizations”.

Penone embodies Nature, questioning the meaning of mimesis. In Foglie di pietra (2013) natural elements are transposed into bronze, in Essere Fiume (2010) the artist has meticulously replicated the shape of a river stone in a craved marble block, and again in Ripete il bosco (1969-2016), where a number of trunks excavated from wooden blocks recreate a small forest.


Highlights from GALLERY WEEKEND BERLIN 2018 by Karim Crippa
Galeria Municipal do Porto, Porto
Giorgio Galotti, Torino
New Museum, New York. The much anticipated New Museum Triennial, titled this year ’Songs for Sabotage’, opened in February presenting the works of twenty-six artists from nineteen countries, some of which are showing for the first time in an institution.
A project by kurimanzutto Gallery, Mexico City
Peres Projects, Berlin
Kassel & Athens
Grand Opening