CURA.

IT’S UP TO YOU!

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MARCH 5—12, 2014

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You’re welcome!
Only for one week, starting from March 5, our place becomes your place, a guest house, where friends, artists, graphic designers, students, curators, collectors – anyone – are invited to invade our space, by leaving whatever they want, wherever they want. Artworks, drawings, objects, pieces of paper, poems, collages, pictures, writings. Not only cura.basement rooms will be available but the entire space: the office, the bookshop, the bathroom, the stairs will all become a white canvas where you can create an overlapping of the traces of creativity and of having fun!

We provide beer and dj-set, you bring everything you need, hammer, nails, colors, cutters, scissors, scotch, pencils and if you have fun friends, come with them too!

OTHER BASEMENT
For the artist, Where is Luna? becomes the stage of a theater of the absurd, where, as an acute observer of other people’s lives, he places at the center of his research, finding a specific context, the people who dwell in it and the habits that regulate it, in a renewed orchestration of the banal daily life of a tiny pet salon. Basement Roma.
Scientists do not know how life began on Earth. As a matter of fact we cannot know for sure what happened four billion years ago. It is largely accepted that life formed in a primordial hot soup of organic chemicals and that a bacterium is the common ancestor of all life.
Nico Vascellari takes over the Roman underground spaces from February, 21 to March, 21 for a series of five evening events. The first four dates are limited to 33 participants by invitotion or booking only, while the last night will be a special event, yet to be revealed.
In the frame of Secondo Stile – the nomadic canvas-based artist-run exhibition space, conceived and founded by Paolo Chiasera in 2013 – Anagramma is a group exhibition, curated by CURA.
For La Ligne Claire, Comte introduces new meaning to Formalism, sourcing original uses for geometric and organic forms which continuously challenge the limits of abstraction.
Mythologies are dead, they have always been. But even as corpses, they’ve been used as political strategies to manipulate fiction and facts. Fictional narratives have defined culture, its historicity, its legacy. Drama. Goosebumps visible in our skin.
Papadopoulos creates environments that could be home to a dream-like, hedonistic cast of characters who are celebrating being alive every second but who cannot help but relish in the larger, darker and more complex meanings of life.
In Truth Table the gallery is converted into the provider of an experience: a new VR product that allows the viewer to occupy a changing host of bodies as they engage in a chain of sexual interactions.