Bologna Portraits 

curated by Antonio Grulli

Palazzo Bentivoglio, Bologna

Jan 29 – March 31, 2019 

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The project tells of the artist’s special relationship with the urban context: a reflection on Bologna, the place in which this new exhibition space will operate over the years to come.

Bologna Portraits brings together a selection of photographs produced by the artist during his time in Bologna over recent years. The mainstay of the works is made up of a series of portraits of figures linked to the city. Artists, writers, entrepreneurs, bartenders, stylists, musicians and actors: around a hundred people, of all ages, and who all form part of the urban panorama. The selection of faces was often guided by chance, as well as by the artist’s contacts around the city, in a mix of chance encounters, friendship and desire. Not all of them are famous, but they all have a face, an attitude or a physicality that Jacopo felt the need to interpret through his lens, almost as if this series of works were a potential case study on the portrait as a medium through his black-and-white shots, all taken strictly with the use of the flashlight. The ensemble of photos creates a mosaic offering us a single great portrait of Bologna today, made up of the faces of some of the people who are bringing it to life and building it day after day.

These photographs are mixed together with the images of a garden photographed in the dead of night. It’s the internal garden of Palazzo Bentivoglio, the place where the artist usually stays when in town, and where he carried out most of the portraits. These nocturnal shots, mixed with faces, create an environmental contextualisation which is also a metaphor for the psychological and most intimate states of the subjects portrayed.

The photographs are set up on sculpture-tables – almost as if the works were still lying on the table in the artist’s studio – to underline how this is a genuine research project, one which has not necessarily reached completion.


Photos by Andrea Rossetti

Here, in the building where Georges Bizet wrote his masterpiece Carmen in 1875, Matt Copson premieres a bildungsroman opera in three laser-projected parts: Age of Coming, Coming of Age and Of Coming Age. His opera tells the story of a baby at odds with a vengeful god, who tries to convince him that life is miserable and cruel, and nothing more. On view High Art, Paris
Sørlandets Kunstmuseum, Kristiansand
Der Tank of the Art Institute, Basel
Lafayette Anticipations, Paris
Kunsthalle Lissabon, Lisbon
JTT, New York
Édouard Montassut, Paris
Avant-Garde Institute, Warsaw