“What astounds me about the art of John Akomfrah is that the beauty, power, and grace of his work conveys a sense of the sublime and the possible, despite its depiction of the powerful impacts of climate change, rising sea levels, and the increase of severe weather. Purple embodies the belief that inward reflection must be paired with active engagement.” said Medvedow,. “The ICA is honored to present this important and timely work at the Watershed.”
Purple combines archival footage with newly shot film to address themes related to the implications of climate change across the planet and its effects on human communities, biodiversity, and the wilderness.
Sited in the Watershed’s industrial building, the themes of Purple resonate deeply with the Watershed’s harbor location and its proximity to the current and historical maritime industries of the Boston Harbor Shipyard and Marina.
“Purple is a catalyst for conversation and action. Through the poetic interweaving of archival images and new footage accompanied by a hypnotic soundscape, the film confronts the issue of climate change from a philosophical perspective, questioning what is morally and ethically at stake if human beings continue to exploit the planet,” said Respini. “The Watershed’s coastal and industrial location provides a powerful backdrop for visitors to explore these subjects.”
Akomfrah draws from hundreds of hours of archival footage, combining it with newly shot film and a spellbinding sound score to produce the video installation. Symphonic in scale and divided into five interwoven movements, the film features various disappearing ecological landscapes: from the hinterlands of Alaska and the desolate environments of Greenland to the Tahitian Peninsula and the volcanic Marquesas Islands in the South Pacific. Purple conveys the complex and fragile interrelation of human and non-human life with a sense of poetic gravity that registers the vulnerability of living in precarious environments.
Courtesy Lisson Gallery
Photo by Smoking Dogs Films