CURA.

JOSH KLINE
Alternative Facts

Various Small Fires, Seoul 
April 11 – June 13, 2020

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Press Release

Various Small Fires is pleased to present the first solo exhibition in Asia of the American artist Josh Kline, an extension of the artist’s Civil War project, which explores the catastrophic implications of America’s political dysfunction.

For over a decade as an artist and curator, Kline has surveyed the current and potential future world crises emerging from the political, economic, technological, and biological conditions inherent in neoliberal capitalism. Kline, who often presents dystopian visions of societal breakdown in his immersive installations, concentrates in his concise exhibition at Various Small Fires on the toxic power of America’s current media ecology, with six wall-mounted sculptures based on flat-screen televisions. The American flag, often referred to as “Old Glory,” is forged and transformed by Kline. In his new sculptures, the flags fold, collide, and dissolve, referencing the animated nationalist symbols, graphics, and political advertisements that often appear in the American news media and political propaganda driving America’s ongoing, slow-motion disintegration.

The double-sided sculptures, anchored by extendable wall brackets, are cast from televisions made by leading Korean technology brands LG and Samsung—the most common brands of televisions in American homes. The works draw attention to their own construction in order to reference global trade conditions, the loss of manufacturing jobs to automation and outsourcing, and the impact of national political events across international borders. Kline’s televisions also allude to the monopolization of media and the relentlessness of “fake news” in our era.

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Installed in South Korea, a country with both a democratically elected government and one of the most competent and effective responses to the current global pandemic, Alternative Facts offers a view from outside America of the 20th Century’s hegemonic superpower disintegrating at the seams. On billions of screens, the world watches as the myth of the United States as the shining city on the hill, first among first-world nations, is revealed as tattered propaganda from an earlier age. The televised screen, a conduit of both facts and misinformation, today broadcasts the confusion of a delirious national political system – one that is unable to offer the most basic services and guidance to its citizens – and further reveals the decline of the American image that had already been underway.

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