CURA.

LIZZIE FITCH | RYAN TRECARTIN
Whether Line

Fondazione Prada, Milan
April 6 – August 5, 2019

Share on:
Facebook
Twitter

Press Release

Whether Line, the large-scale multimedia installation, conceived by Lizzie Fitch (USA, 1981) and Ryan Trecartin (USA, 1981), represents the first output of a creative process begun in late 2016, investigating the perpetual promise of “new” terrain and the inherent instability of territorial appropriation.

Taking the idealized rurality endemic to back-to-the-land ideologies as a conceptual starting point, the project represents both a return and an escape. Relocating their studio operations to the countryside of Ohio for this work, Fitch and Trecartin conceived the framework for a new movie as a haunted map: a location with its own will and a constellation of permanent built sets which include a large hobby-barn commissary, a lazy river, and a forest watchtower, occupied by a cast of characters who are simultaneously agents and subjects of the map. The artists contort these sites through dislocations of time and memory to explore the notion of borders and boundaries—existential, psychosocial, and physical.

Conceived for the Podium, the Deposito and the external courtyard of Fondazione Prada’s Milan complex, the show is staged as an immersive intervention where visitors navigate constructions suggesting both agency and containment, an active state of limbo. Aural and visual echoes of nature and daily life will merge with distortions of familiar spaces such as amusement parks, homesteads, and fortifications, extending the digital and narrative content of the movie. Fitch and Trecartin’s new work probes the desire to escape and the pervasiveness of systems and techniques that bind us together. The exhibition will be completed with a movie retrospective to be screened at Fondazione Prada’s Cinema.

1/5
Photo by Photo Fitch | Trecartin Studio 
2/5
Photo by Andrea Rossetti, Courtesy of Fondazione Prada 
3/5
Photo by Photo Fitch | Trecartin Studio 
4/5
Photo by Photo Fitch | Trecartin Studio 
5/5
Photo by Andrea Rossetti, Courtesy Fondazione Prada 

OTHER TIPS
Connected both thematically and materially, Gaillard’s film and sculptures make apparent the recurring, tidal movements both of oceans and of the earth’s interactions with human history. At Sprüth Magers, Los Angeles
The show’s title the eye, the eye and the ear, individualizes and fragments the bodily senses that are active while experiencing the exhibition, in which the visual effects replicate and dialogue with the sounds in such a way that the narrative becomes a living organism. At Pirelli HangarBicocca, Milan
Case Chiuse HQ, Milan
Istituto Svizzero, Milan
Het HEM, Zaandam
Casey Kaplan, New York
Schinkel Pavillon, Berlin
Pace Gallery, London