CURA.

LO SPAVENTO DELLA TERRA

Andrea Kvas, Jonatah Manno, Isao M’onma

 

Curated by Andrea Kvas

Clima, Milan

September 18 – November 11, 2018

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The title of the exhibition recalls a sentence by William Shakespeare’s King Lear from the 1843 Giulio Carcano’s translation: “I will do such things,– What they are, yet I know not: but they shall be The terrors of the earth” Beside describing the generating thought the exhibition, “Lo Spavento della Terra” reminds to the gut emotion amplifying the sensory perception of what happens around us in a moment of apparent risk, making us more alert and receptive.

As in the words of the curator Andrea Kvas “the matter of the movement, of creating objects forcing the perception’s dynamic, undermining the passive contemplation, is still fundamental. All this origins from a desire for exploring, diving in the unknown: the desire of being scared.

The artworks on display all have multiple possibilities of going in deep dimensions, where the images’ neat outlines leave room for grey areas of doubt, introspection and solitary journeys. From the scare arise gestures that, in their recurrence, generate, as mantras, infinite paths to follow.”

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CREDITS
Photos by Marco Davolio

OTHER TIPS
“Fantastic gardens, hybrid creatures, bouquets of epiphytic stories, synthetic fragrances and mythological machines, but also colours, crystals, songs and infrasounds which could be intended for us humans as much as for our contemporaries: plants, animals, minerals, breaths and chemistries, waves and bacteria, are just some of the ingredients that make up the porous landscapes of this 15th Lyon Biennale.
The artist takes into consideration some well-known artists of the last decades, insinuating doubt into certain dominant narratives, forcing us to look differently at or adjust our focus on existing works. At Istituto Svizzero, Milan
In the 19th and early 20th centuries, artists like Cézanne and Matisse took up this motif to express evolving notions about the body, changing ideas about pleasure, one’s relationship to nature, and how the longing for the new (in art) potentially renews a broader and more inclusive understanding of what it means to live with or against societal changes. Greene Naftali, New York
Antoine Levi, Paris
Galerie Perrotin, Paris
Peres Projects, Berlin
C L E A R I N G, New York
HangarBicocca, Milan