CURA.

MARGUERITE HUMEAU
35000 A.C (Sphinx Death Mask)

Battaglia Foundry
Sculpture Prize #02

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THE PRIZE
The BFSP is an annual award addressed to young international artists, established with the aim of promoting the use of bronze and the ancient lost wax casting process in contemporary art practices. The BFSP wishes to be an international showcase for new emerging talents, through the monitoring, selection and formation of international artists in the production of innovative works. Ten international leading gures of the contemporary art world select ten artists each presenting a proposal for a bronze cast. A jury then evaluates the projects paying speci c attention to their procedural features, which constitute an extremely challenging process within the casting process.

MISSION
The BFSP is a proactive platform for cultural / technical research within the millenary tradition of bronze casting. The Prize aims to promote the unique experience of an artistic collaboration with a traditional bronze foundry. At Fonderia Artistica Battaglia manual skills and understanding of the di erent material stages in lost wax bronze casting are investigated day by day under the supervision of skilled artisans. The BFSP wishes to challenge the very nature of lost wax casting in all its varied features: from a procedural point of view to its cultural implications and potential translation into the world of contemporary art.

SECOND EDITION
The second edition of BFSP 2017/2018 focuses on one of the most fascinating features of bronze: the copper alloy is virtually eternal. Such timeless quality has made bronze an irreplaceable tool for humankind since 3500 BC. To this day, bronze artefacts are often the only instruments allowing us to catch a glimpse into the world of long gone civilizations and cultures from all over the planet. To nd a material capable of withstanding centuries of history means to work with an instrument capable of reaching out towards an in nite number of future generations to come. BFSP would like for the selected artists to re ect upon the responsibilities that come with casting an ideal shape / value / content before eternity (and what these contemporary shapes / values / contents might be).

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Video Credits:
Produced by CURA.
Interview by Sofia Gallarate
Filmed and Edited by Domenico Palma

Music
In The Unlikely Event by Visciera
Valley of Shadows by Ryan Little
Influenced by Fleslit

Photo credits
©Virginia Taroni, for Marguerite Humeau’s residency Courtesy Fonderia Artistica Battaglia
©CAMERAE Francesca Iovene, Jessica Soffiati - camerae.it

Courtesy Archivio Fonderia Artistica Battaglia

OTHER EXTRA
It is a special issue devoted to 22 women artists—among the most representative of the new generation—which explores the plurality, diversity, and complexity of today’s artistic practices. CURA. 31 is another unmissable issue that continues a previous investigation on the powerful presence and key role of women artists within the contemporary art scene, re-affirming and pointing out the basic rights of equality and pluralism.
Issue 30 officially marks the start of the celebrations for CURA.’s 10th anniversary. There isn’t a better moment than this to look back at our past, look into the future and include long-term contributors, new sections, artists’ interventions, friends, curators, and special contents, all gathered together to produce the 250+ pages of a rich, iconic and unmissable issue.
MAXXI, Rome
€ 10
Fonderia Artistica Battaglia, Milan
Metro Pictures, NY
Our yearlong investigation into the body continues. CURA. 28 is devoted to different artistic experiences and practices—crossing generations, time, space, and media—revolving around the boundaries, powers, forms and interpretations of the body that exist within the present world.
The Movie