CURA.

ATHENA PAPADOPOULOS
Cain and Abel Can’t and Able

Mostyn, Llandudno

March 14 – July 5, 2020

Share on:
Facebook
Twitter

Press Release

Working across sculpture, painting, text and sound, Papadopoulos’ practice defies traditional representations of the body, creating excessive, decaying and abject hybrid forms hovering between the worlds of the imagined and the real. Through a process of assemblage, her work is formed of found objects amassed and collaged together. Traditional binary perceptions of gender and sexuality are uprooted and unfixed.

Using her ever-expanding vocabulary of materials and ancient narratives, which she combines with unlikely elements, this new series of works includes sound, sculpture and painting, and explores human dichotomies questioning the complicated duality of reason and emotion. The exhibition is inspired by her recently published book Cain and Abel Can’t and Able, which gives the exhibition its title.

Cain and Abel Can’t and Able is centred around a dialogue written by Papadopoulos in which an imagined narrative between two seemingly distinct voices is played out. Exploring themes such as jealousy, lust and kindness, Papadopoulos transforms this dialogue into wall-based sculptural paintings, an experimental sound work which can be heard throughout the gallery space and pages of the text that reappear hidden, splayed and nesting within the installation.

1/6
 
2/6
 
3/6
 
4/6
 
5/6
 
6/6
 

CREDITS
Courtesy of the artist and Mostyn
Photos by Mark Blower

OTHER TIPS
Der Tank of the Art Institute, Basel
For her first exhibition in France, Wu Tsang has transformed Lafayette Anticipations into a hybrid space that summons the worlds of the night and the sacred. Through this metamorphosis, the visitor is immersed in a mysterious atmosphere where recent and earlier works by the American artist are brought together.
Kunsthalle Lissabon, Lisbon
JTT, New York
Édouard Montassut, Paris
Avant-Garde Institute, Warsaw
Cabinet, London
carlier | gebauer, Berlin