is a Berlin-based artist and journalist. She writes about painting in the expanded field, queer film and other art forms. In her current dissertation project, Chrononauts in Chromotopia, she considers spatial painting as a form of queer immersion.
Tsang’s strategies of expanding the fourth wall confront the viewer with the gaze the camera casts on protagonists, but also with their own involvement in cinematic situations and the roles these usually prescribe. By Noemi Y. Molitor