CURA.

ROCHELLE GOLDBERG
1000 “emotions”

Galleria Federico Vavassori, Milan

May 25 – June 30, 2018

Share on:
Facebook
Twitter

Growing growing growing growing growing growing growing growing Growing Growing growing growing Growing Growing Growing Growing growing
She thought you would cut the flowers outside in order to grow them inside Growing growing growing growing growing growing growing growing growing growing growing Growing growing Growing Growing Growing Growing Growing Growing growing growing Growing Growiwng Growing Growing Growing growing growing growing growing growing growing growing growing growing growing growing Growing Growing Growing Growing Growing Growing growing growing Growing Growing Growing Growing Growing growing growing growing growing growing growing growing growing Growing growing growing growing Growing GrowingGrowing growing Growing Growing growing growing growing growing Growing Growing Growing Growing Growing growing growing Groing growing growing growing growing growing growing growing growing growing growing Growing Growing Growing growing Growing growing Growing Growing growing growing Growing Growing Growing Growing Growing growing growing growing growing growing growing growing growing growing growing Growing growing Growing Growing Growing growingGrowing Growing Growing growing growing Growing growing Growing Growing Growing Growing growing growing growing growing growing growing growing growing growing growing growing Growing Growing Growing Growing Growing Growing growing growing Growing Growing Growing Growing Growing growing growing growing growing growing growing growing growing growing growing growing

1/4
 
2/4
 
3/4
 
4/4
 

CREDITS
Photos by Roberto Marossi
Courtesy of Galleria Federico Vavassori

OTHER TIPS
The installation, exhibited at the Venice Biennale in 2007 but since then hidden from public view, constitutes an exemplar of Vascellari’s oeuvre and despite belonging to his early period, contains many elements typical of his research. MAXXI, Roma
Working across mediums, with a concentration in sculpture and video as well as prose and poetry, New York-based artist Diamond Stingily draws on personal and collective memory in order to examine the condition of American identity today. Through her iconic use of found materials such as wood doors, chains, and synthetic hair associated with her childhood memories and experiences, Stingily imbues the readymade with political and personal urgency. ICA Miami
SALTS, Birsfelden
OGR, Turin
Peres Projects, Berlin
Fondazione Sant'Elia, Palermo
From 27 to 29 July 2018
Galerie Rolando Anselmi, Berlin