CURA.

SPACE SHUTTLE IN THE GARDEN. PETRIT HALILAJ

Share on:
Facebook
Twitter

Space Shuttle in the Garden, Petrit Halilaj’s first institutional solo exhibition in Italy, on view at Milan HangarBicocca until March 13, brings together a selection of works from recent years as well as new ones conceived specifically for the occasion. Setting out from the life and history of the artist and from the changes that have occurred in his native country, the show explores universal themes such as memory, the search for identity, and the concept of home as both a shared and private space, arriving at reflections on community and on the creation and preservation of a common cultural heritage. Positioned outside Pirelli HangarBicocca, the work They are Lucky to be Bourgeois Hens II (2009) serves as an antechamber to the show: a wooden rocket ship constructed by the artist’s relatives, neighbors and friends, with its interior painted an elegant Klein blue, is inhabited by chickens, preparing to discover a new still to be invented world. As an iconic work of the 2010 Berlin Biennial, The places I’m looking for, my dear, are utopian places, they are boring and I don’t know how to make them real (2010-2015), the artist’s reconstructed life-size family house, appears here in a completely new form. Suspended within the exhibition space, the house, now fragmented, reflects the changes its inhabitants have lived through. Si Okarina e Runikut (2014) is a series of sculptures inspired by a Neolithic wind instrument found in the village of Runik, Kosovo. The works are vessel flutes that invite visitor participation; while originally conceived to be played individually, the artist reconstructed them to possibly enable collective engagement.

Space Shuttle in the Garden by Petrit Halilaj
HangarBicocca, Milan
Through March 13

1/15
 
2/15
 
3/15
 
4/15
 
5/15
 
6/15
 
7/15
 
8/15
 
9/15
 
10/15
 
11/15
 
12/15
 
13/15
 
14/15
 
15/15
 
OTHER TIPS
Here, in the building where Georges Bizet wrote his masterpiece Carmen in 1875, Matt Copson premieres a bildungsroman opera in three laser-projected parts: Age of Coming, Coming of Age and Of Coming Age. His opera tells the story of a baby at odds with a vengeful god, who tries to convince him that life is miserable and cruel, and nothing more. On view High Art, Paris
Sørlandets Kunstmuseum, Kristiansand
Der Tank of the Art Institute, Basel
Lafayette Anticipations, Paris
Kunsthalle Lissabon, Lisbon
JTT, New York
Édouard Montassut, Paris
Avant-Garde Institute, Warsaw