CURA.

Calame’s works are not placed in empty space and do not comply with aesthetic and formal parameters.
by Ciara Moloney
by Anna Gritz
by Cecilia Alemani
by Liam Considine
by Loïc Le Gall
By Frances Loeffler
A machine is too big of a word. It brings to mind an impossibly vast range of images – gears, steel, steam, molded plastic, blinking lights, switches, screens, and so much more.
by Daniel S. Palmer
“THE CONCEPT OF ‘ANTI’ IN ANTI-MUSEUM SHOULD BE UNDERSTOOD AS THE DEMOLITION OF THE PHYSICAL…
by Anna Gritz
“To me, a body of work by a given artist has an inherent kind of…
“Figurative art today has reached a point where in Europe and America a language is…
by Rose Bouthillier
by Chris Sharp
Text by Chris Sharp
There is a powerful mood of ambivalence that quivers in and around the work of…
by Frances Loeffler
by Laura Phipps and Elisabeth Sherman
by Frances Loeffler
by Sarah Lehrer-Graiwer
by James Cahill
by Jenny Jaskey
by Ciara Moloney
by Hans Ulrich Obrist
by Franklin Melendez