curated by Carlo Pratis and Michela de Mattei

Operativa Arte Contemporanea, Rome

Sept 15 – Nov 15, 2018

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A surreal collection supposed to belong to one of the founders of the international horror literature, considered by many as one of the forerunners of science-fiction: Howard Phillips Lovecraft.
A selection of artworks crossing a whole century, from Masters as Duilio Cambellotti, Sergio Ragalzi and Fabrizio Clerici, to young contemporary artists’ pieces, some of them especially made for the occasion.

The gallery turns into an absurd living room pervaded by dreamlike disturbing atmospheres typical of the writer’s imaginary: grotesque landscapes, cosmic horrors from world apart, and besides ancestral creatures lying in the abysses.

The exhibition features over thirty sculptures, paintings, videos, and large-scale installations from throughout Ward’s career, highlighting his status as one of the most important and influential sculptors working today. New Museum, New York
In her mesmerising installation Faint with Light and video parable The Needle and the Larynx, normative bodies and genders undergo radical transformations. The artist’s own body, mutated and remodeled, becomes the site in which her hypnotic fantasies are played out. At Copenhagen Contemporary
Like the dead metaphors that litter ordinary language (the body of an essay, the face of the clock), painting has metabolised many corpses over time. Plants, bread, nudes and apples in these paintings connote a generalised sense of art history and the language of painting as much as they refer to the objects themselves. At Giò Marconi, Milan
Galerie Emanuel Layr, Vienna
Copenhagen Contemporary
Istituto Svizzero, Milan
Zeller Van Almsick, Vienna
Almanac, London