CURA.

Portikus, Frankfurt
Bridget Donahue, New York
HYPERMAREMMA, Pampa
Fondazione Sandretto Re Rebaudengo, Turin
Converso, Milan
CAMERA, Turin
Perrotin, Tokyo
Galleria Massimo Ligreggi, Catania
Kunstverein Freiburg
Fondazione Antonio Ratti, Como
Galerie Rolando Anselmi, Berlin
Valentin, Paris
LABOR, Mexico City
Fondazione Morra Greco, Naples
Lulu, Mexico City
Galleria Christian Stein, Milan
FELIX GAUDLITZ, Vienna
Emalin, London
HYPERMAREMMA, Capalbio
Cac Passerelle, Brest
Kunsthalle Düsseldorf
Villa Lontana, Rome
Artemis Fontana, Paris
Perrotin, New York
Magazzino, Rome
OGR, Turin
Balice Hertling, Paris
Venice Biennale 2019. Italian Pavilion
Galerie Emanuel Layr, Rome
T293, Rome
Project Native Informant, London
Ordet, Milan
Centre Pompidou, Paris
Sadie Coles HQ, London
Swan Station, Italy
Istituto Svizzero, Milan
Swiss Pavilion by Simon Würsten Marin
NoguerasBlanchard, Barcelona 
C L E A R I N G, Brussels
der TANK, Basel
Interstate Projects, New York 
Perrotin, Hong Kong
Arcadia Missa, London
Zabludowicz Collection, London
Galerie Eva Presenhuber, Zurich
Kunsthaus Langenthal
Le Grand Café, Saint Nazaire
Galeria Vera Cortês, Lisbon
Galeria Duarte Sequeira, Braga
The exhibition follows a chronological itinerary that begins in the 1960s, exploring the emergence of nightclubs as spaces where for the first time the act of dancing is transformed in a collective ritual officiated in a fantastic world of lights, sounds and colors. Centro per l'Arte Contemporanea Luigi Pecci, Prato
Modern Art, London
ICA Boston