CURA.

Yves Scherer’s lenticular series of works present, according to Abaseh Mirvali’s text, “a concatenation of multiple narratives and pre-existing images that make up and transform the society of spectacle as well as the artist.”

Ceci Moss talks with Sean Raspet about the upcoming launch of his brand-new non/food product; Liam Gillick’s 25 questions for Mitchell Anderson open just as many alternate perspectives on the artist’s practice; David Lê and Anna Uddenberg talk about the complex relationship the artist maintains with the “surface” of contemporary visual vocabulary; Martin Hargreaves reads Pablo Bronstein’s work through the multifaceted lens of “camp” culture; Anna Gritz analyzes Stuart Middleton’s recent animation I am just going outside, I may be some time.

Two specially commissioned projects by Zin Taylor and by Eva Papamargariti shed a new light on their personal imagination and conceptual landscapes.

Anthony Huberman, the Pop Up section’s Editor-at-Large, hosts a personal reflection by the writer and curator Robert Snowden, which closely dialogues with a series of photographs on the Vietnam War, collected by artist Lutz Bacher; Lorenzo Benedetti dedicates his portrait in the exhibition space to Walter Hopps, the legendary curator who transformed the panorama of the Californian art scene since the ’60s; Vincent Honoré continues his Icons conversations with Renate Bertlmann, an influential feminist avant-garde artist, who has since the ’70s explored the representation of sexuality and eroticism; João Mourão & Luís Silva are invited by the Guerrilla Girls to visit their solo exhibition at Whitechapel Gallery, London.

Our beloved HOT! section presents in this issue four emerging artists: Pia Camil (introduced by Frédéric Bonnet); Daiga Grantina (by Stephanie Seidel); Elliot Dodd (by Paul Luckraft); Daniele Milvio (by Attilia Fattori Franchini).