In a parallelism between the artistic dimension and the real world, Petrit Halilaj’s piece Shkrepëtima (2018) becomes the stage of a performance built around the figure of a dreamer, involving a dreamlike, ritual and propitiatory set up to address the rebirth and resurrection of the House of Culture of the city of Runik in Kosovo, therefore restored to its original function. It is a dream within a dream. Petrit Halilaj’s work, withdrawn from the exhibition, tells of a dream which has yet to come true.