When I was a weird little kid in suburbia obsessed with horror of all kinds, my grandfather (who isn’t alive anymore) built me a haunted house. I could pretend I was a ghost or a bat or a werewolf crying blood over a cardboard tombstone. Sadie Coles HQ, London

It is a special issue devoted to 22 women artists—among the most representative of the new generation—which explores the plurality, diversity, and complexity of today’s artistic practices. CURA. 31 is another unmissable issue that continues a previous investigation on the powerful presence and key role of women artists within the contemporary art scene, re-affirming and pointing out the basic rights of equality and pluralism.