Pierre Huyghe, one of the world’s leading conceptual artists, known for creating complex immersive ecosystems, presents a major new exhibition at the Serpentine. The Gallery becomes a porous and contingent environment, housing different forms of cognition, emerging intelligence, biological reproduction and instinctual behaviours.
1   2   3


The exhibition opens with a series of new photographs from the series Parce que (Because) concealed by curtains embroidered with text for viewers to read before lifting the curtain to discover the image behind it. The text that begins with the word «Parce que» explains the reason why this image exists, why the artist chose this specfic place or time. Galerie Perrotin, Paris
1   2   3


Altmann’s exhibition connects issues mined in his previous projects this year: the growing ubiquitousness of tech-related aesthetics in urban architecture, commerce, and social interaction. Istituto Svizzero, Milan
1   2   3
Greene Naftali, New York
In conversation with Rebecca Lamarche-Vadel
Whitechapel Gallery, London
T293, Rome
Sadie Coles HQ, London
Maureen Paley, London
€ 10
€ 32
€ 25
€ 25
€ 25


What will we see (or not see) at the exhibition? I think life is better than art. But art makes life better. The only thing i can say is that we will see a representation of something interesting and we will know that this is impossible to represent. KURA. c/o Fonderia Artistica Battaglia, Milan


For the artist, Where is Luna? becomes the stage of a theater of the absurd, where, as an acute observer of other people’s lives, he places at the center of his research, finding a specific context, the people who dwell in it and the habits that regulate it, in a renewed orchestration of the banal daily life of a tiny pet salon. Basement Roma.
Secession, Vienna
Zabludowicz Collection, London
GBE Sant'Andrea de Scaphis, Rome
Thomas Dane, Naples
curated by Nico Vascellari
Fondazione Modena Arti Visive