CURA.

CÉCILE B. EVANS

Over the past 24 months, Cécile B. Evans’ work has been devoted to the realization of a multidirectional project entitled Amos’ World, a fictional television show set in a socially progressive housing estate. Château Shatto, Los Angeles
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ALEX DA CORTE

When I was in your studio the other day, I was struck by a table-top of assembled props for your new work Rubber Pencil Devil (2018)—a bottle of Heinz ketchup; a pair of ruby red slippers; a cheerleader’s glittery baton; a McDonald’s Happy Meal container; a replica of the model trolley from Mister Rogers’ Neighborhood. In conversation with Margot Norton
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CAROLINE MESQUITA

In Prologue, Mesquita defines the event that shapes the narrative of the project. Kunsthalle Lissabon's underground exhibition space is completely transformed from an architectural point of view. In the center of the exhibition the marble floor collapsed completely giving way to a large cavity. Kunsthalle Lissabon
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Thomas Dane Gallery
Centro per l'arte contemporanea Luigi Pecci, Prato
T293, Rome
DISPLAY, Berlin
High Art, Paris
SpazioA, Pistoia
€ 30
€ 150
€ 480
€ 32
€ 25
Galerie Emanuel Layr, Rome
Jan Kaps, Cologne
Portikus, Frankfurt
Cabinet, Milan
In conversation with Vincent Honoré
by Massimiliano Gioni